Anytime Uganda wants back this 1000-year-old artifact, all it takes is revisiting the agreements that loaned it to the British Museum's ethnographic collection because there are existing agreements how it was loaned and a clear way of returning it.
The Luzira head, one of Uganda’s artifacts held in the British museum is still the property of Uganda.
This reassurance was given by Samuel Kizaalwa the assistant commissioner of the museums, speaking to URN.
Kizaalwa says that any time the country wants back this 1000-year-old artifact, what it takes is revisiting the agreements that loaned it to the British museum and asking for its repatriation.
This is because, unlike many artifacts which were stolen by the colonialists from Africa the Luzira head was loaned to the British Museum in 1931 by E.J Wayland, a geologist from the Uganda Museum to be displayed in the British Museum's ethnographic collection. He says there are existing agreements as to how it was loaned to the British with a clear way of returning it.
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He says the British Museum admits that the artifact is a property of Uganda loaned to them.
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The Luzira Head or ‘Mpanga Head’ is the name of a 1000-year-old sculpture found at Luzira, Uganda in 1929. It is one of the oldest Sub-Saharan in Africa. It is a unique bust of a woman made of fired clay, typically of a brownish-red color and unglazed. The head has very narrow, protruding eyes and a mouth with a diminutive nose. Along the forehead are three scars. The hair is matted and falls on either side of the head. The lower part of the figure was also found during the original excavations. It is tripod-shaped and like the head is hollow and made of baked clay.
According to the British Museum, The Luzira collection consists of a terracotta head and lower torso, about fourteen other broken terracotta pieces, and more than one hundred potsherds. It also includes objects such as an axe. Analysis of the fragments suggests that there were possibly four figures originally, which were broken before being placed in a pit. The associated ceramics and part of a polished stone axe suggest that the site was occupied for a long period of a millennium until the 19th century.
The head is hollow and was probably completed separately from the body. The decoration and all the features were applied rather than being modeled on the figure. The applied clay on the head represents either a wig or more probably hair dressed in clay, a not uncommon practice among priests or other ritual practitioners. Below the head, there are five coils, which could possibly indicate a necklace of some kind, though probably not of beads.
At the Uganda museum, there is a replica of this artifact as a reminder that the original artifact is away.
Kizaalwa says that the government has held bilateral talks with some countries like the UK to return such artifacts and says that the next point of discussion shall be how to return the artifacts.
However, according to Kizaalwa, the museum has no compiled record of any artifacts stolen from Uganda. Despite this, there are struggles by the Bunyoro Kitara kingdom to reclaim 279 cultural artifacts that were taken from Bunyoro during the colonial period by Col. Henry Colville in 1894 when he was the commissioner and consul general of the Queen of Great Britain in Uganda.
They include Omukama Kabalega’s throne, vessels, ornaments, medical equipment, and baskets. These items have been confirmed to exist among collections at Pitt Rivers Museum at the University of Oxford in the UK in the “most important” category of collections at the museum.
Nabukalu Solome Nansubuga an official at the museum says that the museum has the ability to conserve all artifacts as it is keeping collections from 1908 and they are still well preserved. These are kept in airtight glass containers where regulation of temperature and humidity is done plus keeping them away from pests.
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Thousands if not millions of artifacts were robbed from Africa by the colonialists. Some of the objects were acquired through looting during military expeditions. Others, according to the report, were collected by "civilians, colonial administrators and scientific experts" with the encouragement of the colonial governments.
Of these, the Benin bronzes, considered among Africa's greatest treasures, are the most popular. These in thousands were looted by British soldiers in 1897 from the ancient Kingdom of Benin, in what is now modern-day Nigeria.
Around 200 ended up at the British Museum in London, while the rest were divided up between a variety of Western collections, including museums in Germany. In February 2022 two of these were returned with promises of returning more to where they rightfully belong.
Among the priceless works held by Germany's new Humboldt Forum museum, a massive cultural complex in Berlin, are 75,000 African artifacts. It's not clear how some of these objects made their way into German hands during the colonial era.
In 2018, the University of Cambridge Museum of Archaeology and Anthropology in England committed to returning historic artifacts donated to them by the late British anthropologist and missionary Rev John Roscoe. Roscoe (1861–1932), who was a missionary from the Anglican Missionary Society in East Africa collected the different items. A team funded by the Andrew Mellon Foundation would study and return the artifacts for further study in Uganda by the end of 2022.
Kiberu Gideon holds a Bachelors Degree in Journalism and Mass communication from Ndejje University. He is also a 2019 Media Challenge Fellow. He is an ardent follower of African culture.